1. Psalm of
Approach # 34................ F. Wayne Tunison (b. 1953)
2. Nicea
................................ John Bacchus Dykes (1823-1876)
3. Das Walt Gott
Vater .................. Daniel Vetten (c1870)
4. Plain Hunt
Minimus ................... Anonymous
5. Trentham
............................. Robert Jackson (1840-1914)
6. Ba Ba Baby
........................... Traditional Micmac
7. The Call
............................. Ralph Vaughan Williams (1872-1956)
8. Frere Jacques ........................ Traditional French
9. Veni Sponsi Christi .................. "Liber Usualis"
10. Jacob's Ladder .......................
Traditional American
11. Flow Gently Sweet
12. My Last Farwell to
13. Le Reel Des Cloches
.................. Larry John Peterson (b. 1952)
14. Ho Ho Watanay ........................
Traditional Iroquois
15. Turn Around ..........................
Malvina Reynolds (1900-1978)
16. Mother Dear Mother ...................
Traditional Doukhobor
17. Wascana Chimes .......................
Thomas Schudel (b. 1937)
18. Praise Chant .........................
Bob Ford
19. Dance a Baby Diddy ...................
Traditional English
20. Gloria Patri .........................
21. Country Song .........................
George Tull
22.
23. Shule Aroon ..........................
Traditional Irish
24. Create in Me a Clean Heart ...........
Healey Willan (1880-1968)
25. Hymn of Joy ..........................
Ludwig van Beethoven (1770-1827)
26. Happy Jack ...........................
Pete Townsend (b.1945)
27. Welsh Medley .........................
F. Wayne Tunison (b.1953)
28. Tantum Ergo ..........................
John Francis Wade (1718-1786)
29. Monks Gate ...........................
Traditional English
30. St. Oswald ...........................
John Bacchus Dykes (1823-1876)
31. 10-fold Amen .........................
F. Wayne Tunison (b.1953)
Artist's Statement
This
performance tries to capture the Victorian spirit of empire and grandeur which
we in the former colonies associate with our royalty. The concert contains
several Victorian favourites mixed in with several children's songs. The
children's songs were chosen from the 19th century concept of Queen
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Revised: June 23, 2006